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So, sink or swim, at least you get to do what you want.

It gives you complete control of the series. If the distribution channels exist, if technology allows you to get your book to readers all over the world, then itвЂ™s really about the quality of the work, and I donвЂ™t mean just the writing but everything from editing and layout to design, artwork and the recording of an audiobook.

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That was the original idea: to see if we could, that way, produce a series to the highest professional standard but outside the industry. Harmony!В And we pooled our connections to very talented professionals-there is not a single person involved that either Nadir or I havenвЂ™t worked with before on some project. Maybe because both Nadir, who is the producer of the books, and I are non-confrontational Pisces. How did this all come about and what has the experience been thus far?ДЄ. The Gwenna Luna series is independently published by a team including one of your best and oldest friends. WeвЂ™ve all seen what happened to Game of Thrones when they shot the last season without the books being finished. In todayвЂ™s media world, with horror anthology series being very successful, of course writing a series like this IвЂ™m not unaware that it would work very well as a four-season show. IвЂ™ve done a few film scripts in the past, and my writing is very cinematic, I think, in terms of locations, moods and action. regarding a film adaptation of вЂThe Valley Without LaughterвЂ™, the vampire story in the first book. Well, there is interest from a company in L.A. Outside of the books you have plans to take the Gwenna Luna brand in many other exciting directions. With The Graveyard I think it becomes apparent that this will be a long, dark ride and itвЂ™s Gwenna weвЂ™re taking it with. We only had a brief glimpse of her in the first book-an introduction, really. But itвЂ™s also the book where GwennaвЂ™s story begins to develop. Six more stories, of course-a monster in a swamp a sГ©ance gone wrong an unquiet graveyard вЂ¦ lots of fog and terror. What can readers expect from its follow-up, The Graveyard of Gwenna Luna: Six More Dreams from the Dark Book, planned for release in the coming weeks?ДЄ. Why do I re-watch John CarpenterвЂ™s The Fog for the twentieth time? I know where all the jump-scares are at this point, but he caught that Northern California coastal atmosphere so brilliantly, you just want to be there again. The fog-shrouded inn the ancient lake snow-covered London вЂ¦ if the world is done right you want to go back to it. What did they respond to? I think Gwenna LunaвЂ™s world, for all the frightening parts, is a world you like to be in. To know that people from India, Australia or the Philippines were scared of Grollbein, a giant with a taste for children, or touched by the vampire story makes me think fear must be more universal than humour. ItвЂ™s certainly been fun to have people from such different places write and say they enjoyed it. What do you think captured readers hearts and minds?ДЄ. The first Gwenna Luna book, The Dark Book of Gwenna Luna, was a bestseller. Barksin is committed to delivering the highest-quality horror that money can buy. Guenther Primig and old friend, Nadir Catalano, formed independent publishing house Barksin in 2018 to bring the terrifying tales of Gwenna Luna to horror fans around the world. They donвЂ™t deny the modern world, but they are aware that the modern world is surrounded by a fabric of spiritual reality that you ignore at your peril. Of course there is! Good horror stories all have that quality. You walk into the woods and there is a tiny old man sitting on a mushroom telling you to answer three questions or be torn to pieces. I like their matter-of-fact acceptance of a spiritual side to the world. I certainly read a lot more of those than I do horror. There are a lot of horror books I like, but IвЂ™m probably more a fan of folk myths and fairy tales. IвЂ™m interested in the sensations of sitting in a dark room watching someone performing that ritual, that dread and fear. IвЂ™m not interested in the mechanics of a ritual, for instance.

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IвЂ™m not doing a how-to manual on the supernatural. ItвЂ™s an avoidance of vagueness that I find boring. They make sure you understand precisely who haunts whom for what reason and that all timelines are correct.

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There are, I think, a lot of books in the genre that settle on a basic idea and then explore that idea or high concept in great detail: a town is full of werewolves В six friends killed someone 20 years ago and theyвЂ™ve come back-that sort of thing. If Gwenna stands out, I think itвЂ™s because the books are not about ideas but feelings.

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